A new biography of Vincent van Gogh’s sisters, published in English for the first time, containing previously unpublished letters and photographs from the archives of Van Gogh descendants.
In this thoughtful and unprecedented biographical history, Willem-Jan Verlinden delves into previously unpublished correspondence in the Van Gogh family archives to bring Vincent’s three sisters out from their brother’s shadow, poignantly portraying their dreams, disappointments and grief. The Van Gogh siblings grew up at a time when long-distance travel by train first became possible. As each went their own way, following work and study to London, Paris, Brussels and beyond, they maintained the close relationships forged in their youth in the idyllic Netherlands countryside by sending candid and personal letters. The oldest sister, Anna, worked as a governess in England as a young woman before marrying a Dutch industrialist. It was an argument with Anna, in the aftermath of their father’s death, that provoked Vincent to leave the Netherlands and never return. The second sister, Lies, fell into poverty in spite of her literary aspirations and was forced to sell many of her brother’s paintings. Willemien, the third sister, was an active participant in the emerging feminist movement. She visited the studio of Edgar Degas in Paris with her art-dealer brother Theo and discussed art enthusiastically with Vincent. She and Vincent also shared their struggles with mental health, which for Willemien resulted in institutionalization for the second half of her life.

The lively and revealing correspondence that Vincent van Gogh maintained with his brother Theo is already famous as a source of insight into the mind of one of the most celebrated artists of all time. The previously neglected voices of his sisters Anna, Lies and Willemien, with whom Vincent had intimate and sometimes turbulent relationships, are now uncovered. In telling their stories, The Van Gogh Sisters not only enhances our appreciation of their brother Vincent’s life and art, but also captures their own lives with clarity and empathy, and casts new light on a moment of profound social, economic and artistic change.